News

THOMAS RUFF | Solo Show | Lia Rumma Gallery, Milan

On November 15, 2025, the Lia Rumma Gallery in Milan will open Thomas Ruff’s sixth solo exhibition with the gallery, more than thirty years after their first collaboration in 1991. The show retraces twenty-five years of the German artist’s research, who for over forty years has explored the limits and structure of photographic language, helping to redefine the very nature of photography. Developed across the gallery’s three floors, the exhibition brings together works from seven different series created using various techniques. It offers a comprehensive overview of Ruff’s ability to merge technical experimentation, scientific inquiry, and artistic sensitivity, confirming his position as one of the most radical figures in contemporary photography.

• Lia Rumma Gallery, Milan
• Via Stilicone 19
• 15 novembre 2025 – 10 gennaio 2026

DAVID LAMELAS | Group Show | Minimal | Bourse De Commerce, Paris

The exhibition "Minimal", held at the Bourse de Commerce in Paris until January 19, 2026, explores minimalism as a global phenomenon, featuring works by over forty artists from different continents. Curated by Jessica Morgan, the show is divided into seven thematic sections that investigate light, material, surface, and space, placing the viewer’s physical experience at the center. Among the artists is David Lamelas, whose presence highlights the conceptual and geographic breadth of the exhibition. His works demonstrate how minimalism has been reinterpreted beyond Europe, engaging in dialogue with conceptual and installation practices.

• Bourse De Commerce, Paris
• 2 Rue de Viarmes, 75001 Paris, France
• 8 ottobre 2025 – 19 gennaio 2026

ALFREDO JAAR | Group Show | Desenfocado | CaixaForum Madrid

The exhibition "Desenfocado", on view at CaixaForum Madrid, explores the theme of blur in art as an aesthetic and conceptual choice. Starting from Monet’s Water Lilies, the show traces how artists have used lack of clarity not as a flaw but as a visual and poetic strategy, from Impressionism to contemporary art. Organized in collaboration with the Musée de l’Orangerie, it features works by artists such as Gerhard Richter, Mark Rothko, Bill Viola, Thomas Ruff, and Alfredo Jaar. Jaar is represented by "Six Seconds", a powerful piece reflecting on the Rwandan genocide, where blur becomes a political and ethical device, challenging the viewer’s perception and responsibility. The exhibition is divided into thematic sections that encourage slow, reflective looking and engage with what lies at the edges of visibility.

• CaixaForum Madrid
• P.º del Prado, 36, Centro, 28014 Madrid
• 17 settembre 2025 – 12 aprile 2026

GINO DE DOMINICIS | Group Show | Notti - Cinque secoli di stelle, sogni, pleniluni | GAM

On October 29, 2025, the GAM – Galleria Civica d’Arte Moderna e Contemporanea in Turin will open the exhibition “Notti - Cinque secoli di stelle, sogni, pleniluni”. It is a fascinating exploration of the theme of night through around one hundred works spanning more than five centuries, from the 17th century to contemporary art. The exhibition is curated by Fabio Cafagna and Elena Volpato. The journey begins with astronomical and scientific representations of the night and continues with works that approach night from a more symbolic and spiritual perspective, leading up to the most visionary experiments of the 20th century and today. The aim is not simply historical or chronological: the exhibition seeks to present the night as a mental and poetic space—a realm of dreams, cosmic questions, visual illusions, and existential reflections. Among the featured artists is Gino De Dominicis, who appears in a section dedicated to night as an imaginative, dreamlike, and uncanny experience.

• GAM - Galleria Civica d'Arte Moderna e Contemporanea
• Via Magenta, 31, 10128 Turin
• 29 ottobre 2025 – 1 marzo 2026

TOBIAS ZIELONY | Group Show | Bells and Cannons. Contemporary Art in the Face of Militarisation | CAC, Vilnius

The exhibition "Bells and Cannons. Contemporary Art in the Face of Militarisation" is held at the Contemporary Art Centre in Vilnius. It is a group show that reflects on the role of contemporary art in an era marked by geopolitical tensions, armed conflicts, and growing militarisation. The title itself refers to a historical and symbolic transformation—the melting of church bells into cannons—a gesture that embodies the shift from communication and spirituality to violence and war. Curated by Virginija Januškevičiūtė and Valentinas Klimašauskas, the exhibition is part of the international project Aspects of Presence, which also involves the Akademie der Künste in Berlin and the Goethe-Institut in Lithuania. The show brings together works by artists from various countries who, through diverse artistic languages, explore the complex relationships between technology, resources, media, and military power—raising questions about how these elements can be used for both civilian purposes and destructive ends. Within this context, the work of Tobias Zielony finds a natural place. His participation confirms the curators’ interest in artists who critically and sensitively examine the social, cultural, and political dynamics of our time. The exhibition unfolds through installations, videos, performances, and text-based works, offering visitors an immersive and multifaceted experience that encourages reflection on how art can take a stand in the face of contemporary conflicts, document reality, and propose alternative visions.

• CAC - Contemporary Art Centre
• Vokiečių g. 2, Vilnius, 01130 Vilniaus m. sav.
• 16 ottobre 2025 – 3 marzo 2026

MARZIA MIGLIORA | Group Show | Moby Dick - La Balena | Palazzo Ducale, Genova

The group exhibition "Moby Dick – The Whale. The Story of a Myth from Antiquity to Contemporary Art" is on display at the Palazzo Ducale in Genoa. Curated by Ilaria Bonacossa and Marina Avia Estrada, the exhibition explores the multiple interpretations of Herman Melville’s famous novel, from the conflict between man and nature to philosophical reflections on revenge and fate. Within the exhibition, Marzia Migliora presents an interactive diorama made with paper cutouts from children’s magazines, evoking the exploitation of the seas and the myth of Moby Dick. The work, which can be operated by the public, allows viewers to stop or rotate the diorama, symbolizing humanity’s role in shaping the fate of the ocean. The exhibition is enriched by video installations, sculptures, photographs, and sound works, offering an immersive experience that spans different eras and artistic languages.

• Palazzo Ducale, Genova
• Piazza Giacomo Matteotti, 9, 16123 Genova
• 12 ottobre 2025 – 15 febbraio 2026

WOLFGANG LAIB | Solo Show | Touching the Essentials | Kunsthaus Zürich

The solo exhibition Touching the Essential by Wolfgang Laib is on view at Kunsthaus Zürich from October 3, 2025, to October 2, 2026, as part of the ReCollect! series. The German artist, renowned for his minimalist works made from natural materials such as pollen, beeswax, milk, rice, and stone, personally curated the exhibition, creating a dialogue between about 50 of his pieces and around 30 masterpieces from the museum’s permanent collection, spanning from the Middle Ages to the 20th century. Among Laib’s works on display are large pollen installations, stone sculptures shaped like eggs called Brahmanda, walk-in beeswax rooms, rice houses, a lacquered staircase, as well as photographs and drawings that reflect his deep exploration of spirituality, meditation, and the relationship with nature.

• Kunsthaus Zürich
• Heimpl. 1/5, 8001 Zürich
• 3 ottobre 2025 – 4 ottobre 2026

WILLIAM KENTRIDGE | Performance | The Great Yes, The Great No |Grand Theatre de Luxembourg

From October 25 to 26, 2025, the Grand Théâtre in Luxembourg will host The Great Yes, The Great No, the latest musical work by South African artist William Kentridge. This production, which blends theater, oratorio, and chamber opera, was created in collaboration with co-director and choral composer Nhlanhla Mahlangu, co-director Phala Ookeditse Phala, and dramaturge Mwenya Kabwe. The opera is inspired by a historic 1941 journey from Marseille to Martinique aboard the ship Capitaine Paul Lemerle, which carried refugees and intellectuals such as Anna Seghers, Claude Lévi-Strauss, and André Breton. Within the opera, Captain Charon, a figure from Greek mythology, guides the audience through this narrative, accompanied by a seven-member choir. The characters are represented through cardboard masks and projections of a miniature ship model, while the libretto includes writings by authors such as Bertolt Brecht, Anna Akhmatova, Wislawa Szymborska, Marina Tsvetaeva, and others. The opera will be performed in eight languages: English, French, isiSwati, isiZulu, isiXhosa, Setswana, Xitsonga, and Sepedi, with subtitles in German and English.

• Grand Theatre de Luxembourg
• 1 Bd Robert Schuman, 2525 Ville-Haute Luxembourg
• 25 – 26 ottobre 2025

WILLIAM KENTRIDGE | Performance | The Great Yes, The Great No | Berliner Festspiele

From October 16 to 18, 2025, the Haus der Berliner Festspiele will host the Berlin premiere of The Great Yes, The Great No, the latest musical work by the renowned South African artist William Kentridge. This production, which blends theater, oratorio, and chamber opera, was created in collaboration with co-director and choral composer Nhlanhla Mahlangu, co-director Phala Ookeditse Phala, and dramaturge Mwenya Kabwe. The opera is inspired by a historic 1941 journey from Marseille to Martinique aboard the ship Capitaine Paul Lemerle, which carried refugees and intellectuals such as Anna Seghers, Claude Lévi-Strauss, and André Breton. Within the opera, Captain Charon, a figure from Greek mythology, guides the audience through this narrative, accompanied by a seven-member choir. The characters are represented through cardboard masks and projections of a miniature ship model, while the libretto includes writings by authors such as Bertolt Brecht, Anna Akhmatova, Wislawa Szymborska, Marina Tsvetaeva, and others. The opera will be performed in eight languages: English, French, isiSwati, isiZulu, isiXhosa, Setswana, Xitsonga, and Sepedi, with subtitles in German and English. In addition to the performances, on October 18 at 5:30 PM, there will be a free screening of Kentridge’s Slade Lecture No. 6 film, titled In Defence of Optimism, recorded at the University of Oxford in 2024.

• Haus der Berliner Festspiele
• Schaperstraße 24, 10719 Berlin, Germany
• 16 – 18 ottobre 2025